In June, the public is invited to appreciate the work ”Dream world” by the artist Georgeta Boruzs, born on 2nd of August 1941 in Oradea. The work belongs to the modern and contemporary etchings and engravings collection of the Fine Arts Museum.
On December 2017, at the Fine Arts Museum, 2, Grigore Antipa Street, the public may see the work of Tache Papatriandafil (1903 – 1951), „Pont-Neuf”, belonging to the paintings collection.
“In less than 50 years of life, Tache Papatriandafil succeeded in developing as an artist and individualizing himself among the painters who worked in the most effervescent autochthonous, interwar period.
He did not graduate from the School of Belle Arte, but only attended the courses, as well as those of the Free Academies in Bucharest, being the student of Arthur Verona or Petrascu. At the time he is known as one of Tonitza’s most skillful students, who do not forget about the artistic chronicles. His debut was consumed in 1924 at the Official Salon, and the following years captured successes, being awarded one in a row in 1926, 1927 and 1928.
In 1929, when he was awarded a scholarship, Papatriandafil arrives in Paris where he studies painting and drawing. Returning to the country, he will continue to participate in the artistic events of the time, being present both on the salons of the Salon, but also on those of the Young Artist. In addition, in 1931, he took part in the formation of the “Our Group” association, being a member of the wave of young artists, including Phoebus, Margareta Sterian, Paul Miracovici, Aurel Kessler and others.”
The International Conference „Objects, Ideas and Travelers. Contacts between the Balkans, the Aegean and Western Anatolia during the Bronze and Early Iron Age. Conference to the Memory of Alexandru Vulpe” will take place in Tulcea on 11-13 November 2017.
The event, attended by more than 50 outstanding researchers from Romania, Germany, Austria, France, Great Britain, Poland, Bulgaria, Sueden, Denmark, Croatia and Republic of Moldova, is financially supported by Tulcea County Council in partnership with Tulcea Town Hall.
Organizers: “Gavrilă Simion” Eco-Museum Research Institute – Tulcea, „Vasile Pârvan” Archaeology Institute – Bucureşti, Pre- and Protohistory Institute of Heidelberg University (Germany) and German Institute of Archaeology. Eurasia – Berlin Department.
The conference is dedicated to an important period in the prehistory of southeastern Europe between the end of IV millennium BC and the beginning of the first millennium AD. and is trying to bring together the newest and most important scientific contributions in the field.
Details regardind programme, participant and papers presented : 2017_11_Tulcea_Program conferinta_Object, Ideas and Travelers
During March, at the Fine Arts Museum, Antipa Street No. 2, the public may watch the work of Stavru Tarasov, Landscape in the Delta, belonging to the collection of modern and contemporary paintings.
The Romanian painter Stavru Tarasov was born in 1883 in Letea in the Danube Delta and died in 1961 in Brasov. Between 1903 and 1905 he studied at the Fine Arts School in Iasi, while being a student at the Conservatory of Music in the same city. Between 1906 and 1909 continued his studies at the Royal Academy of Fine Arts in Munich. Until 1910 he completed his studies in various museums and private workshops. He was the sudent of Herman Richir and then Constant Montaldi, at the Academie des Beaux Arts in Brussels, where he studied between October 1911 and January 1913.
His work is fruitful and appreciated, including works subject to personal or group exhibitions organized in Romania and abroad.
Works of the artist appear in art museums in Constanta, Tulcea, Barlad, Brasov and in numerous private collections from Brussels, Constanta, Iasi, Tecuci, Barlad, Tulcea, Brasov.
ZAMFIR DUMITRESCU – Exhibition
at the Fine Arts Museum
Starting with 26th of February 2016 at the Fine Arts Museum, 2, Grigore Antipa Street, the public may visit the temporary exhibition of paintings created by the contemporary artist Zamfir Dumitrescu.
The complex personality of Zamfir Dumitrescu is reflected by its various ocupations: artist, politician, profesor, publicist. About him, the great Romanian artist Corneliu Baba, whose student the painter was, said:
“…ZAMFIR DUMITRESCU has proved a rigorous work discipline and that helped him to finalize succesfully all his targeted aims … His intelectual capacity, sensitivity, artistic intuition, creative imagination, all these qualities which help him to shape the artistic personality are completed by an impressive perseverence, a finesse worthing to be followed, and a great lucidity regardind both the aim and the complexity of the path to achieve it.”
Starting with 17th of October 2015, at the Museum of Ethnography and Folk Art, 2, 9 May Street, the public may visit the temporary exhibition named Market Day.
What do organisers say:
”You will learn more about the market day of yore in Dobrudja. This periodical event brought together ppeople of various nationalities and background. The exhibition highlights the products to sell, the people. The aspect specific atmosphere created around and due to the event is emphasized through an original display of the items.”
Starting with 11th of November 2015, at the Museum of History and archaeology, Independence Monument Park, the public may visit the exhibition named Smiles from —the Golden Age. Actual cultural reinterpretation of the communist epoch
Organisers: Museum of National History and Archaeology Constanța, «Gavrilă Simion» Eco-Museum Research Institute Tulcea and European Association INTERAXE.
Financer: National Cultural Fund Administration
What do organizers say:
”The project addresses the youth, especially these who are taught about communism in school. The formal history lessons cannot provide a comprehensible view of daily life in communism. Moreover, usually, this subject is a predilect one for elders and not for youth. Younger people never lived in those circumstances and know almost nothing about them. Sometimes they learn about it from elders talks, but these are just subjective glimpses of the whole picture.
The project team aimed to create an atmosphere closer to that belonging of the communist epoch through the display of original documents and items.”